
Sofonisba Anguissola (Italian, c. 1532 – 1625): The Chess Game (Portrait of the artist’s sisters playing chess) (1555) (via Wikimedia Commons)
As a woman, Sofonisba was barred from the life studio, a restriction sh side-stepped by using herself and her family as subjects. Her most famous painting, The Chess Game (1555), is a wonderfully vivid and affectionate portrayal of her sisters, accompanied by their maid, Giovanna, playing chess – a game considered to be both intellectual and strategic, attributes not often associated with women at the time. Bejewelled in gold and pearls and dressed in costumes more extravagant than the girls would normally have worn to play in a garden, it’s clear Sofonisba wanted to honour her sisters’ beauty and lively personalities, while demonstrating her own dazzling gifts. Perhaps she was also aware of how ground-breaking her homage was: she was the first artist to portray her family as a primary subject. Her younger sister, Europa, smiles broadly at Minerva to her left – in itself a radical gesture, as such levity was not considered decorous. Minerva is seen in profile, but her right hand is raised, as if in mock surrender to her superior opponent. To Europa’s right, Lucia, the older sister, looks directly out at us, faintly smiling: her right hand moves a chess piece, while her left holds a captured queen. The five hands we can see in the painting are all active: holding, moving, raising, touching. It’s a rare, playful image of girls employing their wits against each other and having fun. The scene is set in a garden to a backdrop of a misty, mountainous landscape. As the landscape around Cremona is flat, we can only assume that Sofonisba was dreaming of future journeys to distant lands.
Jennifer Higgie, The Mirror and the Palette: Rebellion, Revolution and Resilience: 500 Years of Women’s Self-Portraits
- das 16. Jahrhundert auf Chronos
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