Lee Friedlander :: Maria, New York City, 1959 | src The New Yorker
The most enduring subject of Friedlander’s personal photographic memory palace is his wife, Maria, whom he married in 1958. (…)
The intimate pictures he made of her during the first flowering of their relationship, with their children, Anna and Erik, and, as time rolled on, their grandchildren, Ava and Giancarlo, seem to sit in some liminal space between the finger-printed plastic sheaths of a family album and the chill of a museum’s walls. (A suite of thirty-two of these pictures, spanning fifty years of marriage, is currently on view at Deborah Bell’s apartment-like uptown gallery space, in New York.)
quoted from The New Yorker
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